Khôi Vu – B Seventh-Century Stone Sculpture: An Enchanting Dance Between Form and Spirituality!

Khối vũ, a stunning seventh-century sandstone sculpture discovered at the Phimai Historical Park in Thailand, stands as a testament to the artistic prowess of the Dvaravati period. Attributed to an unknown artist whose English name might begin with “B” (alas, history has not preserved their name), this masterpiece beautifully encapsulates the confluence of Indian artistic influences and local Khmer aesthetics.

Standing at approximately 1.8 meters tall, Khôi vũ portrays a serene female deity in a graceful dancing pose. Her arms are elegantly outstretched, forming intricate hand gestures (mudras) that evoke a sense of divine energy and compassion. The flowing drapery of her garment accentuates the fluidity of her movements, further emphasizing the rhythmic essence of the dance.

While specific iconographic interpretations vary amongst scholars, Khôi vũ is widely believed to represent either a celestial apsara, a divine nymph often depicted dancing in Hindu and Buddhist art, or a bodhisattva, an enlightened being who has vowed to assist others on their path to enlightenment. The serene expression on her face, characterized by gently closed eyes and a subtle smile, suggests a state of profound inner peace and detachment from worldly concerns.

The sculptor’s masterful execution of Khôi vũ extends beyond the graceful pose and serene facial expression.

The attention to these details imbues Khôi vũ with a sense of ethereal beauty and otherworldly grace. The sculptor’s keen observation of human anatomy is evident in the naturalistic depiction of her slender limbs and graceful posture.

Beyond the technical virtuosity, Khôi vũ evokes a profound spiritual dimension. Her raised right hand, palm outwards, suggests the gesture of granting blessings (abhaya mudra), while her left hand, resting gently on her hip, embodies a sense of divine authority.

The presence of this sculpture within the Phimai Historical Park, a site believed to have housed a significant Dvaravati temple complex, further reinforces its spiritual significance. It is conceivable that Khôi vũ served as an object of veneration or contemplation for devotees seeking enlightenment and divine protection.

Unveiling the Enigma: The “B” Artist and their Dvaravati Legacy?

While the identity of the sculptor who created Khôi Vũ remains a mystery, their work undeniably reflects the vibrant artistic landscape of the Dvaravati period in Thailand (roughly 6th to 11th centuries). This era saw a flourishing exchange of cultural and artistic influences from India, China, and Southeast Asia, resulting in unique fusion styles evident in sculptures like Khôi Vũ.

It’s intriguing to speculate about the life and inspiration behind the “B” artist who created this masterpiece.

Were they part of a guild of skilled artisans? Did they draw inspiration from ancient texts and scriptures? Or perhaps their artistic vision stemmed from personal experiences and spiritual insights?

These unanswered questions only add to the allure of Khôi Vũ, inviting viewers to engage in their own interpretations and connect with the timeless beauty of this seventh-century masterpiece.

Khôi Vũ stands as a powerful symbol of Thailand’s rich cultural heritage and the enduring legacy of the Dvaravati period. Its serene beauty and spiritual depth continue to captivate audiences today, reminding us of the profound power of art to transcend time and connect with our deepest human experiences.